BUSCANDO
Batería.ACERCA DE
Somos Captain Thrash, grupo de rock emergente de dos miembros basados en Barcelona. Somos de estilo alternativo/punk/indie/post-punk en inglés.
*** BUSCAMOS Baterista:
-Experiencia no indispensable.
- Motivado para reformar nuestros temas propios existentes y componer los temas que quedan para completar el album, mientras jammeamos otras canciones por diversion.
- Disponibilidad para ensayar poco a poco, el setlist de temas propios (90%) y covers (10%), de cara a conseguir bolos post-pandemia.
Escribenos a:
wearecaptainthrash "arroba" (esta parte me la censura, pero es g mail . com)
REDES
Youtube: esta en la sección de videos de este perfil.
Insta: @captainthrashmusic
Soundcloud: https://soundcloud.com/captainthrash
- Nombre en pantalla:
- captainthrash
- Miembro desde:
- ene 05 2021
- Activo en 24 horas
- Nivel de compromiso:
- Moderadamente Comprometido
- Años juntos:
- 2
- Conciertos jugado:
- Por debajo de 10
- Edad:
- 28 años
Influencias
Rock en Ingles: Alternativo, Punk, Heavy, Post Punk, Indie, Brit Rock.
(Arctic Monkeys, Green Day, Muse, Gorillaz, Interpol, Strokes, Sum 41, Jimmy Eat World, Joy Division, Tool, A Perfect Circle, System of a Down, Queens of the Stone Age, Smashing Pumpkins, Tame Impala, DIIV, Rammstein, Deftones)
Los miembros de la banda
G Bassboy, 23 años: Bajo y vocals.
https://www.youtube.com/channel/UCWGF5-5x_GKX-w8988Ne6BA
Josh, 34 años: Guitarra y backing vocals, y batería temporal https://www.youtube.com/channel/UChxc2aCjwTChvprZ1pY4Xxw
A veces intercambiamos instrumento según la canción solo por diversión.
EQUIPO
*Guitarras:
Fender Stratocaster
Squier Jazzmaster barítono
*Bajos:
Fender Precision
Squier Jazz bass
Epiphone Thunderbird IV.
Amplis:
Fender Mustang GT 100W, Fender Rumble 100W.
*Bateria:
Yamaha DTX 402K electrónica, de respaldo para bolos y grabaciones.
*Grabación: Equipo DAW casero UMC404, UMC202, cableados, micros, pedales...
MÚSICA
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Coeur
Coeur Género: Acoustic
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Captain Thrash - "Elephant" Tame Impala Cover
Captain Thrash - "Elephant" Tame Impala Cover Género: Acoustic
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Elephant (Tame Impala)
Elephant (Tame Impala)J: The instrumental part of this song is fire.
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Raindrops
RaindropsG: The last of the vault I reunlocked from previous good memories material. We are both real proud. Josh: Our hot new Yamaha DTX electronic drum kit debuts chaotically on this track.
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19119 Wilson
19119 Wilson
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Cœur
CœurG: Coeur comes from a piece of paper. J: I expect choruses when we play this live. And yeah, the solo is lit.
-
Mantra (Bring me the Horizon)
Mantra (Bring me the Horizon)J: This was one of the first songs I played by ear. I wrote down the bass tabs on a trip somewhere far up north. For the EP3, I added guitar, vocals and recorded it because of the BMTH hype right before they release their new album in 2019. G: I am not into this band but what I heard most is Sempiternal which is IGN 10 out of 10 and also this song brought to my ears by bro Josh and we kind of self nailed it. Cool. Cool cool cool.
-
Burnout (Green Day)
Burnout (Green Day)New gear upgrades on mic, amp and guitar from Fender came in time to cover this song to celebrate the completion of this EP.
-
Lump (Presidents of the USA)
Lump (Presidents of the USA)First song for Flügel the Stratocaster and the new mic.
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D.N.A.K
D.N.A.K
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Drei Schwarze Vögel (Three Blackbirds)
Drei Schwarze Vögel (Three Blackbirds)G: 3BB is also one of those DNAK's specials. I miss my guys so much. Have no more words to add here.
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Tides
TidesG: Tides is for me likewhat Leeches and Ticks is for Josh. I honestly made all this whole track on my own and it's amazing because I twisted it alot from the original version I came up playing on ukelele. It's a song I always play when Im at the beach at least once because it is like some kind of ritual to me, and been doing for a good couple of years now.
-
Shouldn't Do That
Shouldn't Do ThatG: Shouldn't is an anthem. It was the song that stood out back when I was in DNAK with Wolf, Ori and Fer. It's a song that went through a lot of changes and specially during this last time when I re-gained it back to make it onto Captain Thrash delights. I'm so glad I made it, it also references a friend from Israel, Idan, who had to attend military service for his country and during that time I was real scared I'd lose him. Josh:
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Belarus The Cat [Outro]
Belarus The Cat [Outro]Track 10. The end of this first project album :)
-
Go With The Flow (Queens of the Stone Age)
Go With The Flow (Queens of the Stone Age)G: Go With The Flow is the ninth song from Behringer EP. It flows naturally great (we think) after Ticks and Leeches and we had a lot of fun doing it, it's a killer track. Josh:
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Leeches and Ticks (Tool)
Leeches and Ticks (Tool)Josh: Seventh track of EP 1. This rough powerful song by Tool caught my ear, as the perfect test ground to attempt a triple bass, guitar and vocals cover into this single track. Watch out for pick sweeps, irregular bass lines and growls. No matter what's your deal or who you are, I'm pretty sure you can think of someone who you feel like screaming this song at! G: Oh man, what to say about Ticks. Josh did an enormous job dealing with the whole song by himself and he made it in a way I prefer our version rather than the original track by Tool and that's a SACRILEGE to say but, I'm so thankful for the music connection we share and this track is focused on Josh's sound, so sit down or rock around, dance, and enjoy. MY FRIEND IS BRUISED AND BORROWED!
-
Sleep
SleepG: This is the first entry on this second EP we started on November 1. This EP isn't focused on any cover but only old tracks I had with previous projects and unfinished re-worked demos. I Prefer the Drummer was the alias we put ourselves for the live debut in Viladecans Baix Films Festival. Sleep is a song I started composing on bass and vocals back in January 2016. Josh: This track was the first of G's song to be born into the clouds of sound, and my choice of guitar style was shreddy and tapping. Some notorious iconic catch phrases came out from this track.
-
Journey to the End of East Bay (Rancid)
Journey to the End of East Bay (Rancid)G: Sixth track in the mix. At this point we decided to cover one song per artist to challenge ourselves on understanding the technical procedures of sound and mix. This is a punk anthem by Rancid I discovered thanks to the radio playlist of Watch Dogs 2, funny enough this game got me into Rancid. Bass is thick and delicious (brought by G Bassboy) and the guitar follows a free-style shredding pattern (brought by Josh Tremonti). Josh: G has a record of showing me new songs which I instantly like, and this is one of them. It sounds very punk, no wonder it stands as the song with most playbacks of our lists.
-
Nana the Cat [Interlude]
Nana the Cat [Interlude]G: 5th entry in the Behringer EP. First original song we compose as Captain Cosmic Trash. We wanted to add lyrics but in the end we found it sounded beautiful as it is in instrumental. Ukelele is played by G Ukeboy, Guitar played by Josh Hollister. Josh: Nana is a sly siamese cat, who gets involved in funny situations as she consistently tries the asymmetric task of outwitting humans. Traces of the post-hype from last week's Tremonti concert influenced the shreddy guitar.
-
Pine (Basement)
Pine (Basement)G: Fourth track and also the first one we ever recorded with this Behringer equipment. It's a cover by Basement from the album colourmeinkindness, the first material I heard of them before diving myself in Promise Everything. Beside Myself turned out pretty great, getting better and better each time I put it on. This is a huge inspiration for the sound I try to approach. Note to Self: This song doesn't try to be serious, it's a joke take we don't want to polish. Josh: Don't take this Lo-Fi song too seriously. We had little recording experience at the time.
-
Holiday (Paramore)
Holiday (Paramore)G: Going on 3. Holiday belongs in Paramore's Self-Titled album, it's an interlude. I had my fun figuring out with Josh our whole new lyrics and made the song our own. Josh: I played the bass on this one, and G borrowed me his ukulele for several weeks after we recorded this song. I patched up the ukulele from the injuries it had sustained long ago. The origin of such damage is a funny undisclosed tale I would have paid to witness.
-
Fine, Great (Modern Baseball)
Fine, Great (Modern Baseball)G: Second track. MoBo is a band that followed me real hard last year. It hit home. This is literally the first song I heard of them waiting for my bus in Barcelona, it was winter. Casually, Spotify put a song on shuffle I wasn't expecting and it happened to be this masterpiece. So that's how I discovered this band. A year later on I would play it live with I Prefer the Drummer, Captain Trash's first alias name. Josh: Another on spot song I met out of G's collection. We played it at the Baix Films festival at Viladecans in summer. It felt like home to grab the bass, and hand over the guitar to G when we were about to play it back then.
-
Still Take You Home (AM)
Still Take You Home (AM)G: First track of the Behringer Sessions EP. The root story about this album is that Josh participated in a summer photo contest with which he won a voucher code to buy something from Amazon; so he got us our Behringer USB audio interface to record our jamming sessions. We've been jamming for a while so we thought it was a nice moment to start an album project. This is a cover of Still Take You Home by the Arctic Monkeys. Josh: Something I really love about this track was playing the solo, and the threatening punchy vibe of the entire song.
-
Elephant (Tame Impala)
Elephant (Tame Impala)J: The instrumental part of this song is fire.
-
Raindrops
RaindropsG: The last of the vault I reunlocked from previous good memories material. We are both real proud. Josh: Our hot new Yamaha DTX electronic drum kit debuts chaotically on this track.
-
19119 Wilson
19119 Wilson
-
Cœur
CœurG: Coeur comes from a piece of paper. J: I expect choruses when we play this live. And yeah, the solo is lit.
-
Mantra (Bring me the Horizon)
Mantra (Bring me the Horizon)J: This was one of the first songs I played by ear. I wrote down the bass tabs on a trip somewhere far up north. For the EP3, I added guitar, vocals and recorded it because of the BMTH hype right before they release their new album in 2019. G: I am not into this band but what I heard most is Sempiternal which is IGN 10 out of 10 and also this song brought to my ears by bro Josh and we kind of self nailed it. Cool. Cool cool cool.
-
Burnout (Green Day)
Burnout (Green Day)New gear upgrades on mic, amp and guitar from Fender came in time to cover this song to celebrate the completion of this EP.
-
Lump (Presidents of the USA)
Lump (Presidents of the USA)First song for Flügel the Stratocaster and the new mic.
-
D.N.A.K
D.N.A.K
-
Drei Schwarze Vögel (Three Blackbirds)
Drei Schwarze Vögel (Three Blackbirds)G: 3BB is also one of those DNAK's specials. I miss my guys so much. Have no more words to add here.
-
Tides
TidesG: Tides is for me likewhat Leeches and Ticks is for Josh. I honestly made all this whole track on my own and it's amazing because I twisted it alot from the original version I came up playing on ukelele. It's a song I always play when Im at the beach at least once because it is like some kind of ritual to me, and been doing for a good couple of years now.
-
Shouldn't Do That
Shouldn't Do ThatG: Shouldn't is an anthem. It was the song that stood out back when I was in DNAK with Wolf, Ori and Fer. It's a song that went through a lot of changes and specially during this last time when I re-gained it back to make it onto Captain Thrash delights. I'm so glad I made it, it also references a friend from Israel, Idan, who had to attend military service for his country and during that time I was real scared I'd lose him. Josh:
-
Belarus The Cat [Outro]
Belarus The Cat [Outro]Track 10. The end of this first project album :)
-
Go With The Flow (Queens of the Stone Age)
Go With The Flow (Queens of the Stone Age)G: Go With The Flow is the ninth song from Behringer EP. It flows naturally great (we think) after Ticks and Leeches and we had a lot of fun doing it, it's a killer track. Josh:
-
Leeches and Ticks (Tool)
Leeches and Ticks (Tool)Josh: Seventh track of EP 1. This rough powerful song by Tool caught my ear, as the perfect test ground to attempt a triple bass, guitar and vocals cover into this single track. Watch out for pick sweeps, irregular bass lines and growls. No matter what's your deal or who you are, I'm pretty sure you can think of someone who you feel like screaming this song at! G: Oh man, what to say about Ticks. Josh did an enormous job dealing with the whole song by himself and he made it in a way I prefer our version rather than the original track by Tool and that's a SACRILEGE to say but, I'm so thankful for the music connection we share and this track is focused on Josh's sound, so sit down or rock around, dance, and enjoy. MY FRIEND IS BRUISED AND BORROWED!
-
Sleep
SleepG: This is the first entry on this second EP we started on November 1. This EP isn't focused on any cover but only old tracks I had with previous projects and unfinished re-worked demos. I Prefer the Drummer was the alias we put ourselves for the live debut in Viladecans Baix Films Festival. Sleep is a song I started composing on bass and vocals back in January 2016. Josh: This track was the first of G's song to be born into the clouds of sound, and my choice of guitar style was shreddy and tapping. Some notorious iconic catch phrases came out from this track.
-
Journey to the End of East Bay (Rancid)
Journey to the End of East Bay (Rancid)G: Sixth track in the mix. At this point we decided to cover one song per artist to challenge ourselves on understanding the technical procedures of sound and mix. This is a punk anthem by Rancid I discovered thanks to the radio playlist of Watch Dogs 2, funny enough this game got me into Rancid. Bass is thick and delicious (brought by G Bassboy) and the guitar follows a free-style shredding pattern (brought by Josh Tremonti). Josh: G has a record of showing me new songs which I instantly like, and this is one of them. It sounds very punk, no wonder it stands as the song with most playbacks of our lists.
-
Nana the Cat [Interlude]
Nana the Cat [Interlude]G: 5th entry in the Behringer EP. First original song we compose as Captain Cosmic Trash. We wanted to add lyrics but in the end we found it sounded beautiful as it is in instrumental. Ukelele is played by G Ukeboy, Guitar played by Josh Hollister. Josh: Nana is a sly siamese cat, who gets involved in funny situations as she consistently tries the asymmetric task of outwitting humans. Traces of the post-hype from last week's Tremonti concert influenced the shreddy guitar.
-
Pine (Basement)
Pine (Basement)G: Fourth track and also the first one we ever recorded with this Behringer equipment. It's a cover by Basement from the album colourmeinkindness, the first material I heard of them before diving myself in Promise Everything. Beside Myself turned out pretty great, getting better and better each time I put it on. This is a huge inspiration for the sound I try to approach. Note to Self: This song doesn't try to be serious, it's a joke take we don't want to polish. Josh: Don't take this Lo-Fi song too seriously. We had little recording experience at the time.
-
Holiday (Paramore)
Holiday (Paramore)G: Going on 3. Holiday belongs in Paramore's Self-Titled album, it's an interlude. I had my fun figuring out with Josh our whole new lyrics and made the song our own. Josh: I played the bass on this one, and G borrowed me his ukulele for several weeks after we recorded this song. I patched up the ukulele from the injuries it had sustained long ago. The origin of such damage is a funny undisclosed tale I would have paid to witness.
-
Fine, Great (Modern Baseball)
Fine, Great (Modern Baseball)G: Second track. MoBo is a band that followed me real hard last year. It hit home. This is literally the first song I heard of them waiting for my bus in Barcelona, it was winter. Casually, Spotify put a song on shuffle I wasn't expecting and it happened to be this masterpiece. So that's how I discovered this band. A year later on I would play it live with I Prefer the Drummer, Captain Trash's first alias name. Josh: Another on spot song I met out of G's collection. We played it at the Baix Films festival at Viladecans in summer. It felt like home to grab the bass, and hand over the guitar to G when we were about to play it back then.
-
Still Take You Home (AM)
Still Take You Home (AM)G: First track of the Behringer Sessions EP. The root story about this album is that Josh participated in a summer photo contest with which he won a voucher code to buy something from Amazon; so he got us our Behringer USB audio interface to record our jamming sessions. We've been jamming for a while so we thought it was a nice moment to start an album project. This is a cover of Still Take You Home by the Arctic Monkeys. Josh: Something I really love about this track was playing the solo, and the threatening punchy vibe of the entire song.